Saturday, July 2, 2011

Super 8 - Review

Super 8 is one of those movies that I can't help but chuckle at. It's not a bad movie, it's just that it tries so incredibly hard to strike at the nostalgia of those who grew up in the 80s and early 90s that it comes off as less of a movie and more of a laughably over passionate love letter to my generation's childhood. While one could make a reasonable argument that originality is overrated, or that the current generation probably wouldn't recognize most of Super 8's movie references, there is definitely something to say about why a credible filmmaker like J.J. Abrams would feel compelled to rip off nearly every Spielbergian trick and cliche in the book. Yeah, I know this was produced by Spielberg, but nonetheless I stand by my opinion. Still, I guess if you had to rip off a filmmaker, there are worse choices than Spielberg. Is the movie a new summer classic or a forgettable dud?

Super 8 centers around a group of kids living in a small Ohio town in 1979. One summer night, they sneak out to film a short movie by an old train station. In the midst of the filming, they witness a catastrophic train accident when a car drives onto the railroad tracks and causes it to derail. Soon afterward, they realize that the train belonged to the US Air Force and was carrying a creature unlike anything they've ever seen. Now, with a giant alien wrecking havoc around town, the kids are forced to take action and stop it.

Like I was saying, Super 8 tries... boy does it try hard. To me, it comes off as this movie that feels if it includes references to every Spielberg movie it can, that it will go on to be this timeless summer classic. To be fair though, many great movies are mainly homages. Star Wars, for instance, was basically a salute to sci-fi serials of the 50s. Then there's Indiana Jones... an homage to adventure serials of the 30s. Ridley Scott's Alien was essentially a big budget B-Movie from the 50s. The list goes on. The main difference between classics like that and Super 8 is this... Super 8 intentionally targets your nostalgia and goes out of it's way to remind you of the classics. Sure the other films mentioned may have been nostalgic, but they had their own unique touch to separate them from their inspirations. Super 8 has scenes that wholeheartedly rip off nearly every movie directed or produced by Spielberg. There are scenes taken from Jaws, War of the Worlds, Indiana Jones, Jurassic Park, Gremlins, The Goonies, Close Encounters of the Third Kind, even Schindler's List. Not mention there are small tributes to non-Spielberg filmmakers like John Carpenter and George Romero. Though hands down the most prevalent tribute is ET, going out of it's way to include a plot with an alien and even scenes that were almost completely remade from the classic. As a result, Super 8 comes off simply as a nostalgic piece with little originality and practically no lasting value.

Despite those criticisms, Super 8 does a lot of thing right. The first of which is the acting. Super 8 boasts one of the better child casts I've seen in quite a while. In fact, it's one of the rare occasions where the kids outshine the adults. Not so much because the adults are bad actors, but simply that the kids are more engaging characters. They have diverse personalities, fun characteristics, and some memorable comedic moments. I won't critique all of them, but I will say that Super 8 will likely be remembered as the star-making vehicle for actors' Elle Fanning and Joel Courtney.

Probably the most frustrating thing about Super 8, though, is the fact that the story doesn't take advantage of it's child characters as well as it could have. As I mentioned before, Super 8 has a promising script with an intriguing concept and fun characters, but unfortunately it also has a boatload of problems. It switches every so often between the main plot with the kids, and two subplots - one of which involves a government conspiracy involving the alien (a la ET) and another involving Joe's (the main character) neglectful father coming to grips with his recently deceased wife (a la... too many Spielberg movies to name).

The story has a great first act... with a solid setup, promising exposition, and one of the best train derailment scenes I've ever seen. The second act is when the movie starts feeling cluttered and overstuffed, struggling to balance it's multiple stories. By the time the third act rolls around, not much has changed. The finale is appropriately exciting, but it's also predictable as hell. Plus, when the alien's appearance is finally revealed... it's pretty ho-hum. Not awful but a minor letdown after the great buildup. Though I do have to mention the hilarious post-credit scene. That alone makes Super 8 worth seeing.

From a technical side, Super 8 works. The special effects are appropriately adequate, the cinematography is decent, and it had enough visual flair to keep me interested. As I mentioned, the train derailment scene is very cool, arguably the best train accident ever depicted on screen. You've also got some suspenseful and exciting scenes with the alien reigning chaos on the town. While the camerawork was overall decent, many of the shots had multiple lens flares that got really distracting. Plus, there's the less-than-stellar appearance of the alien, as I mentioned before. Overall, it works but aside from the train scene, I can't think of much that will be especially memorable.

What's frustrating about Super 8 is that it makes as many wrong choices as it does right choices. It's just when it work... it really works, but when it doesn't... it falls pretty hard. In the end, I think the pros outweigh the cons enough to see it once in theatres, but with all of the film's positive qualities, it should have been much better. It's too bad... this could have been a new classic. Still worth a watch though.

My Score: 3.5 out of 5!

No comments:

Post a Comment